Loom & Legacy Join the list

Loom & LegacyA Travel Experience by LOVE DOT

What if travel could change how you see fashion? And Africa?

Follow the Thread Chapter One · Ghana · November 19–28, 2026
Collage of a fugu weaver at a narrow strip loom in Tamale and a kente loom in Bonwire, framed by LOOM & LEGACY patterns in royal purple and cream.
Fugu weavers in Tamale, Ghana. Kente loom in Bonwire.

The premise

Begin with the cloth.

The hands that weave it. The knowledge that shapes it. The choices that turn it into something we wear, treasure, trade, and pass down.

Follow it far enough and fashion becomes a way to read a place: its history, its economy, its imagination.

Loom & Legacy is a series of textile journeys across West Africa, one country at a time. We go to meet the people behind the craft, and to learn what their work says about culture, about value, and about us.

From LOVE DOT

Our story starts in cloth.

LOVE DOT is a design house built on West African textiles. Our batik is waxed and dyed by hand in Accra. Our adire and akwete come from Nigeria. Our pieces are cut and sewn largely in Accra by people whose names we know.

We chose to keep almost every step of that work in West Africa. It is slower. It is harder to scale. Some seasons it costs more. We’d choose it again, because the people who hold this knowledge should also hold the value it creates.

Loom & Legacy opens that choice up. We take you inside the cloth: to the dye vats, the looms, the cutting tables, and the conversations about price that decide whether a craft has a future.

A hand pressing a carved stamp loaded with wax onto white cotton, laying down stripes for batik, framed by LOOM & LEGACY patterns.
Waxed & dyedBatik · Accra
Collage of dyers working at open indigo dye pits beside a mud-walled building, above hands drawing a white resist onto deep blue cloth, framed by LOOM & LEGACY patterns.
Resist-dyedAdire · Nigeria
Sculpture of a woman weaving at an upright loom with a child at her side, framed by LOOM & LEGACY patterns.
WovenAkwete · Nigeria
A tailor laying out a pattern piece on the cutting table, with shears and blue printed cloth beside him, framed by LOOM & LEGACY patterns.
Cut & sewnAccra

Chapter One

Ghana

November 19–28, 2026

The outline of Ghana filled with two makers at work, one at a wooden loom and one at a cloth-covered table, framed by LOOM & LEGACY patterns, with baobab trees and palms drawn along the coast.
Days
10
Cities
4
Textile traditions
3
Travelers
14
Map of Ghana with Tamale, Kumasi, Cape Coast and Accra marked, joined by a dotted loop that starts and ends in Accra.
Chapter One, across four cities.

Craft in West Africa is a book written over centuries. Ghana is where we explore its first chapter.

In Accra, Tamale, Kumasi, and Cape Coast, we spend time with weavers, dyers, designers, and makers. We meet fugu, kente, and batik through the people who practice them, and hold what we learn up against the markets, factories, and studios around us.

Each encounter adds context to the next. A cloth that looked familiar starts to look different. The work inside it becomes visible. The questions get better.

Departing soon

We leave November 19. Follow along as it happens.

Dispatches

Ghana, as it happens.

Collage of two Ghanaian makers, one at a wooden loom and one drawing a design across cloth beside carved stamps, over the outline of Ghana and LOOM & LEGACY patterns.

From Accra to Cape Coast, new dispatches through November.

Ghana is Chapter One. Be the first to hear where we go next.

In four parts

Four questions we travel with.

Every chapter starts from the same four questions. The answers change with the country.

Question one: What are we looking at when we see something beautiful?

We see the color first. The pattern. The shape.

What we miss are the hours, the practiced judgment, the knowledge handed from one generation to the next. The decisions a maker made long before the piece reached our hands.

At the loom, in the workshop, and in conversation, those details come into view: the distance between how something looks and what it took to make it.

Beauty draws us in. The people behind it give us more to see.

Batik shirts in pink, orange, yellow and blue hanging close together on a rail, beside a torn edge of LOOM & LEGACY pattern.
LOVE DOT batik shirts.
Kente weavers at Bonwire.

Question two: Who makes the beauty, and who decides what it’s worth?

A cloth can be admired while the expertise behind it goes unseen. Recognition often travels further than the reward.

At LOVE DOT, we work inside that question every day: what does it take for mastery to become a lasting livelihood?

So we look at the business of craft. Sourcing materials. Producing consistently. Reaching customers. Setting a price. Protecting what makes the work distinct while leaving room for it to grow.

The ambition belongs to the makers. We come to listen to what they’re building, understand what stands in their way, and be honest about our own part in how their work is valued.

Collage of West African street style: women in printed, embroidered and tie-dyed clothing posed by a tuk-tuk, a blue car and a market street, beside a fingerprint pattern in the shape of Africa.

Question three: What does fashion keep?

Heritage has a future tense. Some traditions came close to losing theirs.

Imitation prints, shuttered mills, and secondhand clothing shipped in by the bale pushed handmade cloth to the edges.

Accra

15 million

secondhand garments arrive at Kantamanto Market every week.Source: The Or Foundation

Lagos

Half

what Chinese-made adire costs next to cloth hand-dyed in Abeokuta.Source: AFP, from Balogun Market

The thread never broke.

It runs through designers reworking inherited cloth, and through the repairers, traders, and upcyclers giving garments a second life. Their work asks the questions fashion would rather skip: what it keeps, what it throws away, and who is responsible for what’s left.

We bring these worlds into the same journey, to see how inherited knowledge meets what people need now, and what they make of it.

Close view of green cloth printed with a red dotted batik pattern, draped in loose folds over a seated figure.

Question four: What might you recognize in yourself?

For those of us in the African diaspora, these journeys can carry another layer of meaning.

A way of making. A familiar gesture. A flash of recognition. A conversation that gives language to something we’ve felt and never quite named.

There is room for connection, and room for unfamiliarity. Room to ask questions, and to let the answers complicate what we thought we knew.

We go to meet people and places on their own terms. What we learn there can change how we understand ourselves.

The series

Ghana opens the story.

Loom & Legacy is an unfolding exploration of West Africa through cloth, fashion, and the people shaping both. Each chapter is rooted in the history, practice, and possibility of one place.

  1. Chapter One

    Ghana

    Fugu, kente, and batik, from Tamale to the coast.

    November 2026 Collage inside the outline of Ghana: a fugu weaver at a strip loom, a striped fugu smock on a hanger, and a man holding up green striped cloth.
  2. Chapter Two

    Nigeria

    Adire, akwete, aso oke, and the runways of Lagos Fashion Week.

    In development Collage inside the outline of Nigeria: indigo dye pits and hands drawing a resist onto blue cloth.
  3. Chapter Three

    Côte d’Ivoire

    Baoulé weaving and the painted cloth of Korhogo.

    In development Collage inside the outline of Côte d’Ivoire: weavers at narrow strip looms and a man wrapped in blue and pink woven cloth.
  4. Chapter Four

    Senegal

    Manjak weaving and the tailors of Dakar.

    In development Collage inside the outline of Senegal: a man in an embroidered green boubou, a strip loom with indigo cloth, and a hand resting on woven patterned cloth.

Follow the Thread.

Stories from the road, and first word on where we go next. List members hear about each new chapter before anyone else, along with the first invitation to its info session.

Which chapters interest you? Choose any.

Loom & Legacy stories and journey news from LOVE DOT. Unsubscribe anytime.

Nneka Carrie Ude speaking, in an orange and indigo batik dress, with a strip loom in an inset behind her, framed by LOOM & LEGACY patterns.

About the founder

Nneka Carrie Ude

Founder and Creative Director, LOVE DOT

Nneka is the founder of LOVE DOT, a fashion and lifestyle brand exploring the power of West African textiles. A 2026–2027 International Women’s Forum Leadership Fellow, she has spent two decades as a brand and commerce strategist at some of the largest agencies in the world. She’s now building a brand that she believes the diaspora needs and deserves.

LOVE DOT takes her to Ghana at least twice a year, to work alongside the dyers, weavers, and tailors behind each collection. Loom & Legacy grew out of those trips, and out of a simple conviction: the people behind the cloth deserve a much bigger audience.

Join the list →

LOOM & LEGACY is a LOVE DOT series.

Make an offer
Make an offer
Make an offer